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R. Marcan

The SAG Ethnic Breakdown
February 1999

The SAG-commissioned report on casting is finally out and the results are not very surprising. The 1997 casting data shows that primetime and daytime television still significantly under-represent large segments of the American population namely women, Asian-Pacific Americans, Latinos/Hispanics, Native-Americans, the other-abled, and the elderly. The report, entitled Casting the American Scene, was written by Dr. George Gerbner, Bell Atlantic Professor of Telecommunications at Temple University. Dr. Gerbner updated his earlier studies back in 1979 and 1994, studies that were also commissioned by the Screen Actors Guild. It analyzed 6,882 characters that appeared in 440 primetime episodes of dramatic programs and also examined 2,137 roles in 205 episodes on daytime television from years 1994-1997.

These are their findings:

  • Men still outnumber women 2 to 1
  • African-American male representation increased each year and reached 171% of its real-life proportions. African-American women numbers insignificantly changed.
  • Asian-Pacific Americans are only represented by less than half of their actual proportion of their American population.
  • Latinos and Hispanics characters are less than one-third of their actual proportion.
  • Poor people, especially low-income earners, are inexistent.
  • Television characters are healthier and wealthier in the 90’s than in the 80’s.
  • Female characters are much younger.
  • The number of characters with disabilities declined, and actors with disabilities are under-employed
  • As women age, the more evil they become. They also age faster than men.
  • Foreigners and mentally ill characters fail and commit the most crimes and violence.

SAG also compiled their own data pulled from contracts with production companies. Performers cast in television and theatrical productions in 1997:

78.1% are Caucasian
14.15% are African Americans
4% are Latino/Hispanic Americans
1.9% are Asian/Pacific Americans
1.6% are labeled as Other or Unknown
0.4% are North American Indians

Dr. Gebner’s study parallel SAG’s own figures. Clearly these numbers indicate a wide gulf between the real American population and what is reflected in the wide spread media. Interestingly, there was an increase in the visibility of the African American male. This may seem a step in the right direction, but according to SAG president Richard Masur, these numbers do not indicate the type of roles being offered to ethnic minorities nor the compensation they had received.

Masur cited several SAG-sponsored porgrams that will address the disproportion in casting. Last year, SAG issued to casting directors talent directories that list performers of color and performers with disabilites. This month SAG will announce the American Scene Award given annually to an individual, production, or series that reflect the diversity in America. Past receivers include director John Sayles and the Star Trek television series. Later this spring, SAG will hold a symposium on the Latino/Hispanic casting. SAG's tactic is to educate the industry about the differences between the fictional world of television and film, and the real world that watches those fictional creations.

In reality, it is the holy dollar that dictates the level of courage the industry takes. Perhaps a new study should be compiled on how much each under-represented group drives the American economy. We should not only encourage the industry to change, but we must also be vigilant as consumers and audiences to demand more images of ourselves, that the promise of America may be finally revealed and delivered. In our capitalist society, we have been endowed to speak with our money. Money is the language of the industry and money is what they will listen to. Does Hollywood really care about diversity? Only when it is safe and profitable.

 

 

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